Tuesday, 16 March 2010
Extra Research - Orphan PERFECT CASE STUDY
Basically at the beginning of the film the girl is dressed in pastel colours in a traditional doll-like/ victorian outfit and has perfect curly hair depicting her as an inncoent young child. She doesn't kill people, just pigeons ;) She also had dolls in her bedroom!
Towards the end of the film her clothing is black, which obviously is the complete opposite extreem. Her hair is also no longer in ringlets, but in a pony tail, and its slightly straighter, like her perfection is falling away. She also looks older, loosing her childhood innocence, as you discover her secret ;) haha It was totally like the perfect case study and i'd so recommend looking it up on youtube if you don't have access to the film!
xxx
Thursday, 25 February 2010
Fonts






FILMING AT WILL.I.AM'S HOUSE ;)
Sunday, 7 February 2010
Filming !- 07/02/2010
Cheers guys, I think it went really well :)
Thats a wrap ;) ahaha xx ahaa lol. oh yes.
Thursday, 4 February 2010
possibly the worst youtube video, ever.
Part 1
http://www.youtube.com/watch?v=i-gTkPLO8uY&feature=channel
Part 2
http://www.youtube.com/watch?v=L92-kwequcU&feature=channel
aahahahahaha xxxxxxx ahahahaha xxxxxxxxx ahahahaha <- idiolect ;)
PS: don't laugh at me, it was scary!
Monday, 1 February 2010
petrilude!
http://www.youtube.com/watch?v=54AQxoju1BA&feature=SeriesPlayList&p=CC0E9141FB953F13
hope you like ahahahaha xxxxxxxxxxxxx
Saturday, 30 January 2010
We're Organized
Friday, 29 January 2010
BBFC
Horror
The use of frightening elements which might scare or unsettle an audience is part of a long tradition of story telling and film making. Many children enjoy the excitement of scary sequences, but, where films are targeted at a younger audience, classification decisions will take into account such factors as the frequency, length and detail of scary scenes as well as horror effects, including music and sound, and whether there is a swift and reassuring outcome. Older audiences often pay to see horror films because they like being frightened or shocked and such works are classified at an appropriate category to ensure that the young and vulnerable are protected from too intense an experience.
Violence
Violence has always been a feature of entertainment for children and adults. Classification decisions will take account of the degree and nature of any violence in a work. Works which feature the following are likely to receive more restrictive classifications: portrayal of violence
as a normal solution to problems, heroes who inflict pain and injury, callousness towards victims, the encouragement of aggressive attitudes, and content which depicts characters taking pleasure in pain or humiliation. Sexualised violence or works which glorify or glamorise violence will
receive a more restrictive classification and may even be cut. A strict policy on sexual violence and rape is applied. Content which might eroticise or endorse sexual violence may require cuts at any classification level. This is more likely with video works than film because of the
potential for replaying scenes out of context. Any association of sex with non-consensual restraint, pain or humiliation may be cut.
Photo or pattern sensitivity, motion sickness and reactions to low frequency sound
A small number of viewers are sensitive to flashing and flickering light, or some shapes and patterns, and may experience seizures or other serious physical effects. In addition, some viewers experience feelings of motion sickness or other symptoms when viewing works which feature hand held or otherwise moving camerawork, or which feature very low frequency sounds. It is the responsibility of film makers and distributors to identify works in
which such issues may arise and to ensure that, when required, appropriate warnings are given to viewers. Such effects are therefore not normally taken into account when reaching a classification decision. However, if it is obvious during viewing that the work is highly likely to affect a significant number of viewers, the BBFC may advise the distributor of the need to ensure that appropriate warnings are in place. In extreme cases, assurances regarding the display of appropriate warnings may be required as a condition of classification.
CERTIFICATE CATEGORIES
After looking through all teh certificates, we thought a certificate of 15 should be awarded to our film.
15 –Suitable only for 15 years and over. No one younger than 15 may see a ‘15’ film in a cinema.No one younger than 15 may rent or buy a ‘15’ rated video work.
Discrimination
The work as a whole must not endorse discriminatory language or behaviour.
Drugs
Drug taking may be shown but the film as a whole must not promote or encourage drug misuse. The misuse of easily accessible and highly dangerous substances (for example, aerosols or solvents) is unlikely to be acceptable.
Horror
Strong threat and menace are permitted unless sadistic or sexualised. Imitable behaviour
Dangerous behaviour (for example, hanging, suicide and self-harming) should not dwell on detail which could be copied. Easily accessible weapons should not be glamorised. Language
There may be frequent use of strong language (for example, ‘fuck’). The strongest terms (for example, ‘cunt’) may be acceptable if justified by the context. Aggressive or repeated use of the strongest language is unlikely to be acceptable.
Nudity
Nudity may be allowed in a sexual context but without strong detail. There are no constraints on nudity in a non-sexual or educational context.
Sex
Sexual activity may be portrayed without strong detail. There may be strong verbal references to sexual behaviour, but the strongest references are unlikely to be acceptable unless justified by context. Works whose primary purpose is sexual arousal or stimulation are unlikely to be cceptable.
Theme
No theme is prohibited, provided the treatment is appropriate for 15 year olds.
Violence
Violence may be strong but should not dwell on the infliction of pain or injury. The strongest gory images are unlikely to be acceptable. Strong sadistic or sexualised violence is also unlikely to be acceptable. There may be detailed verbal references to sexual violence but any portrayal of sexual violence must be discreet and have a strong contextual justification.
The webpage that we looked at to get this information was http://www.bbfc.co.uk/downloads/pub/Guidelines/BBFC%20Classification%20Guidelines%202009.pdf
It was REALLY FANTASTIC and i deffinatly reccomend checking it out if you have the time! I only uploaded the most revelvant pieces, but there is still so really great information on there!
xxxx
Monday, 25 January 2010
Natural Lighting. What time does it get dark?
3.40pm- Slightly dark yet still bright.
3.50pm- Cars starting to turn their headlights on
4.10pm- Darker still, streetlights not quite on yet. But need to turn lights on inside to be able to see/read etc.
4.20pm- Getting quite dark now, streetlights beginning to come on.
4.40pm- Very dark, hard to film.
5.00pm- Seriously dark.
5.20pm- Pitch black.
Interesting shots- Produced by...



Sunday, 24 January 2010
video's
Saturday, 23 January 2010
Post-Editing Session
Editing will be extremely important, as after a quick view of the yr13's new trailers, we have been shown, that editing can create a movie from being terrible, to a movie being amazing !...
BlANGI x
Sound Effects.
Thursday, 21 January 2010
Hey Guys!
Monday, 18 January 2010
Neck Wound
As one of our victims in the scene with the 'perfect room' we have decided to explore with creating neck marks meant to resemble th aftermarth of a stranglin, here are the results
Jacques Tourneur


Further Institutions.


Sunday, 17 January 2010
Still- lighting

In the opening few frames of our storyboard, we are tracking our little girl character to the barn, however we must not give away her identity. Although this is not completely similar to the shot we want, I still thought the use of lighting was used effectively to disguise who the character was. (Freddy Krueger- A nightmare on elm street)
Director Interviews.
Craven- "I have found a lot of compelling stories just in newspapers... or books- The Hills have eyes, the people under the stairs, nightmare on elm street" Wes Craven takes inspiration from everyday life stories to make into his films.
The video Contains an interview with robert england- freddy krueger in nightmare on elm street.
Wes Cravens inspiration from personal experiences - when he was a kid he looked out of his window when his parents were out the house and saw a man covered in soot and scabs, and an old hat... this comes accross in freddy kruegars character. continuously looking at him.
He doesnt even like making horror films, hes just so good at it.
Craven believes that his films are based on all the horrible things in the world that people think arent true, but they actually are.
In another video- "Wes Craven on being a film-maker"- He explains how he makes films that are different and that the audience have never seen before.
Make-Up
However some of our shots consist of close up's of faces, that might need much more detail then just one type of blood. therefore we have purchased 2 make up kits, that consist of wax mould to add scars or deep cuts, making it extremely realistic.
We will soon practice on someone to make sure we are able to pull the make up off successfully ....AWESOME !
Saturday, 16 January 2010
Which Company?
Friday, 15 January 2010
Development Of Girl Image
Ring A Ring Of Roses
We wanted to create a sinister character for our child, to do this we thought we would mix the idea of death with that of childhood, after concidering our options we thought the best way to show this would be through the child actor singing 'Ring A Ring Of Roses'; Ring A Ring Of Roses, although a common childhood nursery rhyme is believed to be about the bubonic plague, yet this is only old wives tales
After researching this folk law we found this
"the idea was that the 'ring of roses' represented a round, red rash, which was thought to be a symptom of the black death, but this was factually incorrect 'A pocket full of posies' was believed to be a means by which people warded of the disease, thinking that illnesses were carried by foul smells. Some people have also suggested that the posy of flowers represents a funeral wreath.the next line of the poem is 'Atishoo! Atishoo!', which is claimed to describe the sneezing caused by the plague - except the bubonic plague doesn't cause sneezing, And 'We all fall down' is supposed to be the plague victims falling down dead."
although the tale seems to be factually incorrect the song is still associated with this incident and the lyrics themselves are horror-like as they denote death; therefore we feel it would work well in our opening
Editing + SFX
As with the SFX - Garageband on Apple - is an extremely good software, to create eery sounds, along with our idea of a Nursery rhyme that will be heard through the opening section of our piece- with garageband we are able to record tracks, and use techniques to get it the way we want...Again our group will designate a day on making everyone feel comfortable with SFX ...
ANTONIN ARTAUD AND BREATHING TECHNIQUES
Moving into further detail on panic attacks, we decided to go into more detail on how to put it across on camera, Antonin Artuad, used a perticular method to portray fear, that could eventually lead to a panic attack.
He believed that you are infact easier to portray fear and being scared through breathing, rather than words.
As one of our members of the group, has used this technique before in a piece he has performed, we will be able to show our actor how to do it, hopefully ending up, with a very believeable panic attack !
Panic Attatck
- Rapid heart beat, pounding heart or palpitations
- Sweating
- Choking sensations or lump in throat
- Smothering or shortness of breath sensations
- Chest pain or discomfort
- Nausea, bloating, indigestion or abdominal discomfort
- Dizziness or unsteadiness
- Feeling light-headed
- Derealization (feeling unreal or dreamy)
- Depersonalization (feeling outside yourself or like you don't exist)
- Fear of losing control or going crazy
- Paresthesias (numbness or tingling sensations) in face, extremities or body
- Chills or hot flushes
- Skin losing color
- Blushing or skin blotches
- Urgently needing to urinate or defecate
- Inappropriate/Disturbed thoughts
- Muscle pain, especially in neck or shoulders
Out of these we felt that the most likely symptoms to be able to recreate appropriatly are: Sweating, Chest pain, Rapid heart beat (sound) and Dizzeeness (hand held camera work)
Thursday, 14 January 2010
Possible Location - Kitchen
Blood Development
Research - Opening - The Texas Chainsaw Massacre 1974


Monday, 4 January 2010
Turn of the screw opening analysis.
The opening is very effective in creating a sense of something going wrong psychologically within her. Here are some of the things we liked:
- Starting with a Mid shot of a pale looking young woman gazing into nothingness. We see a book on the windowsill which appears to be the Bible.
- Lighting is used effectively to light only half of her face.
- Slow, long shots followed by frantic, fast shots and cuts creates the sense that she is not in control.
- The camera cuts to two close up shots of her face and as this happens we hear non-diegetic rumbling of voices which appear to be coming from inside her head as she looks in a lot of discomfort.
- She blinks and just before this the rumbling speeds up and as she blinks we cut to quich shots of the sunlight coming through trees and leaves. Peaceful non diegetic music is being played.
- We hear the diegetic sound of a bird fluttering it's wings and this changes the mood as the music quickens and the shots become faster.
- We see a close up of a fake toy doll which is followed by the sound of a little girl singing. Another shot with a doll like young blond haired girl is then showed playing with the toy doll.
- We see a close up of a rocking horse moving back on forth, appears to be moving of its own accord. Shots continue to quicken in pace and the shots moving between the trees and up into the sky are slightly distorted and overlayed and this indicates that there may be something in the air edging closer and closer at an uncontrollable pace.
- We hear diegetic panting and the use of a handheld camera as someone anonymous runs towards an empty grave. They look down and scream horrificly.
- We see close ups of dirty maggots representing death and rot.
- The camera then cuts back to the young woman from the start opening her eyes and taking a deep breath. Camera cuts from close up from side to close up from front. In reverse from the first few close ups.
We decided to have a look and deconstruct some meanings in this opening because we thought it was so good at representing the psychological thriller genre and we think it could help us in creating our own opening.
Setback- Location
We have also been thinking that the best bedroom to use for the waking up scene would be either Sofy's or Ash's.
Interesting cutting techniques & storyboarding
We were also talking about ways of cutting and mixing two shots together and we came up with an idea of slowly zooming into one door and then cutting to the outside of another door as it is opening. Kind of merging the two shots to make them flow better.
I saw another good example of this in Channel 4's Hollyoaks earlier- A woman lifted up a magazine to her face just at the endof the shot and then this cut to a completely different woman, with the camera on a close up of the same magazaine just as she is lowering it so we see her face.